The Loom
My cousin shot and killed her four little girls, before turning the gun on her mother and then herself. After decades of collective forgetting, a little loom challenges me to uncover the truth buried within the unspoken tragedy of war. —Helene Kvale
Co-Director / Producer, Adam Briscoe
Producer, Hugo Perez
Co-Producer, Richard Hollant
Co-Producer, Katharina von Oltersdorff-Kalettka
DoP, Jana Laemmerer
Vérité Cinematography, Matt Porwoll
Executive Producer, James Ivory
Executive Producer, Richard A. Wilson
Executive Producer, Kristin Howard
Executive Producer, Jenniphr Goodman
Supported by The Merchant Ivory Foundation
Synopsis: Hanni’s husband, Albert, an artist conscripted into war, returns home to discover an unknown family living in his apartment and his own family buried in the yard. Hanni had shot and killed their four daughters, her mom and herself. Albert throws himself into his art to survive, eventually rebuilding his life with his new family in America. He rarely speaks of the past, but evidence of his loss appears in his art, raising uncomfortable questions about what happened to his first family and the impact it had on his second family.
Longline: The Loom provides an intimate take on an overlooked story of World War II through the experience of a forgotten mother, one of thousands of women driven to suicide by the mass rapes by Soviet soldiers, Nazi propaganda and the incomprehensibility of life after the war.
Framing the Film: The Loom is a personal documentary that explores the Battle for Berlin from the perspective of a forgotten woman. The art and stained glass made by her surviving husband offer clues to what happened, while his beautifully illustrated letters to Helene’s grandmother reveal his grief and struggle to escape East Berlin for a new life in America with his second family. The discovery of an heirloom leads Helene to question how shame, silence and totalitarianism conspired to obscure the truth of what happened to Hanni and her four daughters. Interviews with survivors of ongoing conflicts illustrate how war continues to play out on the bodies of women and girls across the world.
Production Design: The aesthetic of the film is deeply rooted in the philosophy of Bauhaus weaver Anni Albers and the primary source material of the Allwelt family story. Albert’s letters, photographs and artwork inspire the production design. In the film, Albert’s letters tell his story as animation brings his watercolors to life. The cinematography simulates trauma’s effect on memory. A vintage lens blurs all but one house on the block. The camera focuses on the details that endure as souvenirs of a moment: a name etched across a loom, a dollhouse door, the imperfections of a childhood toy. A flower in the father’s stained glass window comes alive, mimicking the momentary escape of wishful thinking that often follows a great loss. Intimate, tactile moments complement the story’s emotional context: the tension of bending glass, the anxiety of fingers sorting incandescent glass shards, the reconciliation of fusing pieces together, and acceptance as light passes through a finished panel of stained glass and dances across the floor.
Outreach: The Loom brings together an international group of storytellers, visual artists, technicians, researchers, designers, a composer and a puppeteer who believe in the transformative power of documentary film and community engagement. Among our outreach activities, we’re conducting workshops with Inner Weaving and Free Center that focus on the healing power of art.
The Loom supports Nadia’s Initiative and the Mukwege Foundation in their advocacy on behalf of the survivors of conflict related sexual violence, and SEMA the global network of survivors to end war-time sexual violence.
Make a Donation!
It takes a village to make a film. We’re incredibly grateful for everyone who has joined us on this journey, your support allows us to tell this story. And it’s an important story to tell because it isn’t just about Hanni and her daughters, it’s about all women, the threats they face when things fall apart, the unforeseen consequences of treating women’s bodies as extensions of the state, and the resiliency of the human spirit in spite of it all.
All donations are gratefully received and fully tax deductible with 100% of your contribution going directly to The Loom. With your help, we can finish this film with the level of independence, empathy and vision it deserves.
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Find out more about our fiscal sponsor, Free Center.